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height: 27"
width: 21"

Jackson is renowned for his large-scale figurative oil pastels. His thick, defining lines break the human form into geometric shapes filled with a heavy impasto of layered colors arranged with a masterful sense of harmony. Jackson often experiments with other media including India ink, collage and papier-mâché.

fiber print on gallery matte archival paper
framed solid oak with hand rubbed Indian ink stain

18” X 21”

Michael Anderson Biography

Michael has been shooting consistently for 20 years but has been fascinated with photography since childhood. Shooting exclusively with black and white film, Michael processes in the traditional manner through an established lab in New York City. As the process is all done by hand, it allows for more hands on collaboration. Michael prefers the depth and tonal range that is intrinsic to black and white film versus digital capture and frequently adds custom toning to finished prints. All prints are of museum quality, printed on archival papers. Michael is a proponent of the "larger negative", enabling incredible detail to the captured and utilizes medium format and large format cameras. Michael is currently the head of mens design at Banana Republic. His career in fashion includes leading menswear for such brands as Coach, Nautica, and Tommy Hilfiger. Michael is originally from New Castle, England. He currently resides in Weston, Connecticut with his wife and two children.

2006
Limited Edition of 50
artist signed
original aquatint
printed on 300 gsm 100% white rag watercolour paper

35" x 35"

About Andrea Malär: 

Andrea Malär sites his passion for expressive polarities as the constant in his work; the light and shadow, the interior and exterior, the material and the spiritual, the concrete and the symbolic, all balanced and contained within a geometric shape. This series of aquatints is an instant modern statement, with abstract, puzzle-like design. Showcasing the graphic simplicity of printmaking with the sharp angular shapes and two-tone hues casting a depth of form; it's as if it were an imprint of a three-dimensional sculpture.