Peter Margonelli

The late photographer Peter Margonelli was known for his abstracted, painterly-like images.  "Departed," shown here, illustrates his talent for employing elements of atmosphere and motion to create impactful, emotional landscapes.  Photograph on archival paper. 

Measurements: 
height: 22"
depth: 1.5"
width: 29"

Framed

Peter Margonelli was a photographer focused on abstracting the relationship between the industry and the natural world. Through various means of reducing his subject’s forms, whether it be the blurring of rain on a windshield or the flattening view of a landscape from above, he drawed attention to patterns and alignments in the contemporary industrial landscape. His images reflect a sense of an emotional landscape and inner world, more in-line with painters like Diebenkon than with a traditional photography practice. 

This item requires white glove delivery, and will be charged separately in addition to your order. Please select 'white glove shipping' at checkout and a sales associate will contact you after checkout to provide a shipping quote and arrange delivery. Alternatively, please contact us at info@foleyandcoxhome.com or (518)-828-3210 and we can provide a shipping quote prior to your purchase.

The late photographer Peter Margonelli was known for his abstracted, painterly-like images.  "The Wave" shown here, illustrates his talent for employing elements of atmosphere and motion to create highly charged, emotional landscapes.  Photograph on archival paper.  Framed and unsigned.  

Measurements:
29" x 22"

Peter Margonelli was a photographer focused on abstracting the relationship between the industry and the natural world. Through various means of reducing his subject’s forms, whether it be the blurring of rain on a windshield or the flattening view of a landscape from above, he drawed attention to patterns and alignments in the contemporary industrial landscape. His images reflect a sense of an emotional landscape and inner world, more in-line with painters like Diebenkon than with a traditional photography practice. 

Photographer Peter Margonelli refined a variety of techniques to capture the abstracted landscapes for which he is known.  In "Color Fields," Margonelli employed aerial photography to flatten and capture the patterns and colors of the modern industrial landscape.  Several works from "Color Fields" are available.  

Signed by artist

Measurements:
22" x 19"

Peter Margonelli was a photographer focused on abstracting the relationship between the industry and the natural world. Through various means of reducing his subject’s forms, whether it be the blurring of rain on a windshield or the flattening view of a landscape from above, he drew attention to patterns and alignments in the contemporary industrial landscape. His images reflect a sense of an emotional landscape and inner world, more in-line with painters like Diebenkon than with a traditional photography practice. 

The late photographer Peter Margonelli was known for his abstracted, painterly-like images.  "Road Along the Beach," shown here, illustrates his talent for employing elements of atmosphere and motion to create highly charged, emotional landscapes.  Photograph on archival paper. 

Measurements:  
48" x 38"

Framed

    Peter Margonelli was a photographer focused on abstracting the relationship between the industry and the natural world. Through various means of reducing his subject’s forms, whether it be the blurring of rain on a windshield or the flattening view of a landscape from above, he drawed attention to patterns and alignments in the contemporary industrial landscape. His images reflect a sense of an emotional landscape and inner world, more in-line with painters like Diebenkon than with a traditional photography practice. 

The late photographer Peter Margonelli was known for his abstracted, painterly-like images.  "On the Road at Noon," shown here, illustrates his talent for employing elements of atmosphere and motion to create highly charged, emotional landscapes.  Photograph on archival paper. 

Measurements: 
height: 22"
depth: 1.5"
width: 29"

Peter Margonelli was a photographer focused on abstracting the relationship between the industry and the natural world. Through various means of reducing his subject’s forms, whether it be the blurring of rain on a windshield or the flattening view of a landscape from above, he drawed attention to patterns and alignments in the contemporary industrial landscape. His images reflect a sense of an emotional landscape and inner world, more in-line with painters like Diebenkon than with a traditional photography practice. 

 This item requires white glove delivery, and will be charged separately in addition to your order. Please select 'white glove shipping' at checkout and a sales associate will contact you after checkout to provide a shipping quote and arrange delivery. Alternatively, please contact us at info@foleyandcoxhome.com or (518)-828-3210 and we can provide a shipping quote prior to your purchase.

The "Echo" photograph, shown here, illustrates Peter Margonelli's talent for employing elements of atmosphere and motion to create highly charged, emotional landscapes.  This is only one of several signed and unsigned Margonelli works available.  

Measurements:
29" x 22"

Peter Margonelli was a photographer focused on abstracting the relationship between the industry and the natural world. Through various means of reducing his subject’s forms, whether it be the blurring of rain on a windshield or the flattening view of a landscape from above, he drawed attention to patterns and alignments in the contemporary industrial landscape. His images reflect a sense of an emotional landscape and inner world, more in-line with painters like Diebenkon than with a traditional photography practice. 

2014
archival pigment print

image dimensions
height: 24"
width: 36"

frame dimensions
height: 33.5"
width: 45.5"

About the artist: 

Peter Margonelli was a photographer focused on abstracting the relationship between the industry and the natural world. Through various means of reducing his subject’s forms, whether it be the blurring of rain on a windshield or the flattening view of a landscape from above, he drew attention to patterns and alignments in the contemporary industrial landscape. His images reflect a sense of an emotional landscape and inner world, more in-line with painters like Diebenkon than with a traditional photography practice.